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27/05/2009

Colour returns to the portico of Santa Maria Cathedral

A light show, fruit of exhaustive research, will illustrate the evolution of the sixteenth-century polychromes in the Paternina Chapel

Vitoria-Gasteiz, May 27, 2009 - As of today, the portico of Santa Maria Cathedral has a new attraction. The Paternina Chapel, located in the front of the atrium and named after the abbot who ordered it to be built, has recovered its colour thanks to a sophisticated digital video projection system that displays the evolution of its polychromes between the sixteenth and twentieth centuries. A consummate light and colour show, the only one of its kind in Europe, that extends the range of visits to the church in Vitoria.
Today is the public presentation of “Pórtico de la Luz”, a trip to the past in search of a colour that time has stolen from Santa Maria and that is technically possible through a digital projection of the historical polychromes that are no longer exist today. Decisive in the process have also been the studies conducted during the portico’s restoration. The sum of these two factors has given rise to a light and sound show that has revolutionised the concept of chromatic reintegration held until now and allows visitors to view the historical evolution of the different pictorial and chromatic styles discovered in the Paternina Chapel.
The simultaneous use of several projectors that employ geometric projection techniques allow an ambiance to be created in which spectators can perceive the evolution of decorative concepts in a very lifelike manner. A voiceover explains the details at the same time.

More than 3,000 tests conducted

The portico of Santa Maria Cathedral had colour until the 1960s. The restoration carried out during that time, in which that the portico was systematically scraped to remove any remains of colour, regrettably erased all traces of the polychromes.
A team of professional art restorers studied the portico for 18 months in 2003 and 2004 and conducted over 3,000 tests, accompanied by a complete documentation process that resulted in a correspondence chart that can identify pigments from any historical period. Thanks to this, 15 general interventions conducted throughout the almost five hundred years of the portico’s existence were identified, and it became clear that the colour applied to the stone elements was considered an essential part of the portico for several centuries and that it was incomplete without it. As an additional complement, graphic reconstructions have been made that show what the portico looked like in its different periods.

Digital video projection techniques

Except for the sculpture of the Madonna in the central tympanum, the Paternina Chapel is the site in the portico that had the richest trove of polychromes. Now, visitors will be able to perceive the colours as if they were looking at a polychromed portico, i.e., as if the colour were pigment instead of projected light. This optical illusion is possible thanks to four video projectors enclosed in cupboards made of bronze, a material compatible with the space in which it is located on the chapel’s walls.
The use of digital video projection techniques in the world of art restoration is a form of chromatic reintegration allows the appearance a monument would have had at a specific time to be visualised on the monument itself. The list of possibilities this offers is endless. On this occasion, the portico and colour, a tandem that has always gone hand in hand in Santa Maria and which today seems novel, is the common denominator.

Musical composition

The polychromes’ projection is also accompanied by a musical composition by José Luis Dorronsoro and José Antonio San Miguel, members of the Boreas Cámera group, who explain that "Fundación Catedral Santa María offered us the chance to couple the ancient with the contemporary, traditional fresco painting methods with cutting-edge optics and lighting technology, the Cathedral bells and organ with electro-acoustic music".
Thus, the sounds with which they worked were "the sounds of the Cathedral itself. We wished to breathe life into the old resonances that have inhabited its walls for centuries, combining both the ecclesiastical life, the organ and the choir, as well as secular life in the city of Vitoria-Gasteiz, the bells ".

Free visits until June 5

The general public in Vitoria will be able to enjoy this show free of charge between May 28 to June 5. During this period, there will be two showings, one at 7:00 p.m. and another at 7:30 p.m., for groups of 60. As of that date, a special visit to the porticos and polychromes will be available every day of the week late in the afternoon for 3 euros. Further information about visits and reservations: 945 255 135.